645299

Adamsky Hates

Popularity

Building your popularity is crucial to your success as an artist. Build your popularity by performing well on stage and talking to the media while you tour the world.

City Popularity Exposure
Amsterdam 6 terrible 24
Ankara 7 poor 22
Antalya 6 terrible 15
Baku 5 dreadful 14
Barcelona 8 below average 28
Belgrade 7 poor 24
Berlin 6 terrible 22
Brussels 10 above average 37
Bucharest 9 mediocre 42
Budapest 7 poor 35
Buenos Aires 8 below average 33
Chicago 8 below average 25
Copenhagen 13 pleasant 82
Dubrovnik 10 above average 36
Glasgow 10 above average 45
Helsinki 10 above average 35
Istanbul 10 above average 32
Izmir 14 good 82
Jakarta 14 good 84
Johannesburg 14 good 83
Kyiv 12 nice 93
London 10 above average 93
Los Angeles 5 dreadful 78
Madrid 3 bottom dwelling 5
Manila 3 bottom dwelling 5
Melbourne 3 bottom dwelling 5
Mexico City 3 bottom dwelling 5
Milan 3 bottom dwelling 5
Montreal 3 bottom dwelling 5
Moscow 3 bottom dwelling 5
Nashville 3 bottom dwelling 5
New York 3 bottom dwelling 5
Paris 3 bottom dwelling 5
Porto 3 bottom dwelling 5
Rio de Janeiro 3 bottom dwelling 5
Rome 3 bottom dwelling 5
São Paulo 3 bottom dwelling 5
Sarajevo 3 bottom dwelling 5
Seattle 3 bottom dwelling 5
Shanghai 3 bottom dwelling 5
Singapore 3 bottom dwelling 5
Sofia 3 bottom dwelling 5
Stockholm 3 bottom dwelling 5
Tallinn 7 poor 41
Tokyo 3 bottom dwelling 5
Toronto 3 bottom dwelling 5
Tromsø 3 bottom dwelling 5
Warsaw 3 bottom dwelling 5
Vilnius 3 bottom dwelling 5

Market Segment Popularity

To increase your popularity within a market segment, you need to cater to its interests. Your Market Segment Popularity is determined by how much the market segment like the genres represented on your records and by how famous you are throughout the world. Your record sales are partially based on how popular you are among the different Market Segments.

The market segment popularities for this artist was last updated 9/28/2025.

Market Segment Popularity
Adult Men 35
Adult Women 33
Teenage Boys 25
Teenage Girls 20